This image collection was created to showcase the various poses that
imply movement, or dynamic poses. These particular ones focus on the torsion, and the models signs of vigour. The image above shows on upright pose, with the implication that the model was very staunch. The use of curves, for the shadows, gives a very good tonal depth. There is decent evidence of foreshortening in the torso, and very accurate anatomical likeness. Also of note is the well portrayed proportions of the body, which stand out on the right bicep, brachialis and also right femur.
The second image shows a very dynamic pose, that would be uncomfortable given
any lengthy amount of time in the displayed pose, his back almost seeming strained, there is a very gratifying sense of curvature to the shaded parts of the body, particularly the legs and buttocks. The shading on the back is less detailed, and suffers from an excess of lines. It would also have benefited if the artist had included a small pro or backdrop, to show what the model was being supported by.
This image shows an equal parts dynamic and static pose, which could be
interpreted either way. It also suffers from poor detail and character in the face and cranium, though this bears little importance to the overall piece, it is still noticeable. There is a strong implication of an extension of the biceps and triceps muscles. The foreshortening on the left arm is not the best, and the hands suffer from looking slightly disjointed because of this, there is a nice weighted feel to the thigh area. Some of the line work on the torse is also not the best, with the implied shading looking unrealistic and messy.
The fourth image features quite a static pose with the model displaying a closed form from the outset. Given the perspective, however, this could be interpreted as also slightly open form, though the angle of the left leg indicates otherwise. The spinal curve could have used more definition, in particular the scapula areas, which are not very well observed.
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